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  1. Top 20 Greatest Sonic Themes of All Time

    May 5, 2012 by RedSheep

    Knuckles in a wig

    After 20 years of Sonic, what better way to celebrate his 20th anniversary than with a top 20 list of Sonic themes?   Music in the Sonic games has always been catchy, well composed, worked with the levels and set the tone for like great music should! But what songs were the best of the best? As a lifelong sonic enthusiast and a musician, here are a chunk of my personal favourites, along with some nifty facts and secrets about the music, and the composers who wrote them.

    Scroll a moment for the list…

     

    Sonic and Knuckles back to back

    Art by the wonderful ObsessedShadowFan

    In the Beginning

     

    There was nothing, only a mediocre plumber, a Manic Miner and a sluggish fish that defended penguins.  And Sega declared “Let there be speed” And there was speed.  Gamers saw that the speed was good, and thus Sega said “Let there be more speed, and give it a flying partner while you’re at it”  And once again the world basked in the Sega glory.  The trend continued until one day Sega said “I know, let’s make them buy 2 consoles that link together!” and the fans said “no”, so Sega built a whole new System and released it way before it was ready and the fans again said “no”.  Then Sega got a bit desperate and started releasing terrible games on other consoles that should never have been pushed to the world, and the fans said “no no no!”  Then Sega levelled out a little, and they’ve been stuck there ever since

    (more…)


  2. RPM in Review

    March 22, 2012 by RedSheep

    Well, that’s it, a 35 minute album written 29 days.  It was a gruelling task with many late nights, early mornings and cutbacks, but what have I earned learned from all of this? Well for one thing I have nearly a month of solid posts that capture my enthusiasm,anger and victories, but above all I’ve learned one very, very important fact…

    I can do it 

     

    You may wonder: “What the significance of that is,  surely you knew you could do it anyway? ”

    Well no, I thought I could do it, whether I believed it or not is Irrelevant but now that It has been proved my belief is certain.  It is important for growth to have concrete milestones to show where you are and how far you’ve come, because it’s so easy to get to a point and focus on how far the road is ahead, rather than how far you have walked already.  I saw a TED Talk that sums this up beautifully.  In the age of speed we want everything to be faster, from computers, to cars to learning, and while the first two can be improved over time learning is something that presently has definite limits.  It can be made more efficient by learning the right things but then there’s the danger of missing some very important detail that the author of your lessons “streamlined” .

    Part of this way of thinking is that once something’s done it’s immediately time to move onto the next thing, with no time to ponder over our new found knowledge.  I’ve caught myself doing it with the Counterpoint book I’m going through, where once a chapter’s done I immediately moved on, but I’m now finding on species Four that I must revise species one before I can really get a grip of it.  This is frustrating being that I’m only 54 pages in, but necessary if I really want to learn from it.

    By reaching the milestone of species 4 I have proved that I can compose using species 1,2, and 3 and can now go back and improve on them, just as in writing an album I have shown i CAN write an album, and can now go back and improve on it.

    So what else was gained?

    Frankly there are many problems with my musicianship that I’m working on, one of the great truthes of music is that for everything you learn, you discover multiple new things to learn.  The main issues that came out during the album for me were:

    • I can write the beginning and middle of melodies, sections and songs well, but I never seem to be able to find a good end to them, instead they will either fizzle to an anticlimax or veer unexpectedly from what was played before
    • I need to spend more time writing technical parts, rather than writing a great sounding section and never practicing
    • Song parts don’t progress harmonically.  Once something’s in a key it seems to stay around the safety zone of that key without deviating too far to chords that are dissonant, yet they are also not as interesting as I’d like
    • the album has an air of laziness to it, parts that can easily be improved were cut down due to time restraints and the idea of “It’s done, move on” as mentioned above

    You can find the audio here (though really it’s just a link to the RedSheep radio page) and the daily diary of RPM starts here

    Thank you RPM, until next year,

    RedSheep

     


  3. Diagonal / Wolf People Gig Review

    January 31, 2012 by RedSheep

    I’ve been to many gigs by my favourite bands to find that the crowd are very much observers. At Vai I listened to one of the most technically advanced players on the planet and saw a thousand people stroking their chins in analysis at the great man. At Yes most people were in their 50′s, and seeing an old dude get his kit off to Heart of the Sunrise is not my idea of fun! For me gigs are a place to hear the music as the band intended it. A place to immerse yourself in the music and bask in the waves of sound. This gig I’m pleased to say had the best crowd I’ve seen in a while. there were dancers at the front, observers at the back and enough room for everyone.

    Woman from the Wolf People gig rocking her socks off
    I’ve been a fan of Diagonal for at least 2 years now, and I wont lie, my view on them may be tilted towards them here.  Wolf People were a fantastic band and I think they have real potential if they continue to work at what they do and not rest on what’s safe.  We arrived half way through Diagonal’s second song to one of the fullest live sounds I think I’ve ever heard.  The crowd was a myriad of types from the casual observers to the professional prog swayers.  We took our positions back and to the left, and shot our heads full of sound.

    Diagonal

    Diagonal’s first album is really a great start.  For a début album the quality is just brilliant.  It’s almost like a second Court of the Crimson King in a way.  It’s got the heavy rough music, the subtle undertones of sadness, and enough depth of sound to drown in.  Since then the guys have lost 2 members, but they are by no means any less talented.  This is the kind of band that when there’s a progressive revival will float to the top like a proggy cork in the sea.

    Diagonal_gig_photo

    The guitar/sax harmonies have been revamped and beefed up since the last album, so it has a really full sound that I’m looking forward to hearing with studio quality recording.  It was clear right away that they had spent a long time on the new songs to get them just right, I mean they did spend years on this baby.  There’s a flow in the music that never really halts but it’s always slowly progressing so things are always interesting.  I will say though, that while the sound was very well developed it did stay within a set style/mood most of the way through.  The sound they have is obviously well developed, but it would’ve been awesome to hear more deviations from  the sound they’re so comfortable with.

    I was there with my girlfriend and quite often girls and Prog Rock don’t mix.  I think part of it is for the tendancy for Prog Rock to get a bit pretentious at times.  This, I’m happy to say, was not the case with Diagonal.  The great all-round sound makes the music very accessible, so you don’t have to be a Canterbury native to appreciate their sound.

    For more on Diagonal check out their site here.

    Taking a deviation from the music here Diagonal have always been a tough band to keep up with in terms of when they’re playing gigs, what’s happening with the band and I couldn’t help but notice there are no new t-shirts.  The music does come first but I only found out about the gig 3 days before through a lucky last.fm browse.  I guarantee there are a ton of fans out there that missed the gig purely on not knowing it was on.  Also, Myspace pages don’t count as band websites!    

    Wolf People

    Although I was there to see Diagonal Wolf People were the main band and to their credit they held up very well, and seemed genuinely grateful to have Diagonal as a support. Often you see bands that get too big for their boots and act like they’re already famous as soon as they start getting a few gigs in more popular venues. I don’t feel I can do these guys justice yet because I only heard of them a few days prior to the gig, so everything here is as a first impression.

    Something I absolutely loved about Wolf People was that while singing the frontman had a really folk/English/Genesis country sound to his voice, kind of like Selling England by the pound(link). But then when he was speaking to the crowd, a wild London accent appeared. They were obviously good friends by their on stage demeanour and the drummer was one of the tightest I’ve seen in a long time.

    Wolf People flute player

    "HEYYY Aqualung!"

    They brought out a flute player for one song who was clearly loving the chance to be Ron Burgundy for the night. My only regret is that there was no cover of Aqualung. Luckily a collection of excellent beards and some decent songs of their own made up for it. They had one song that I couldn’t quite place that was a kind of AC/DC Black Sabbath crossover, and guys I remember what it was now, it was Hells Bells(link). I also, oddly, met Tom the Drummer’s cousin, but more on that in the next section.

    For more on Wolf People check out their site here.

    Post-Performance

    Welcome back! The gig was small enough that as Wolf People were playing I noticed the distinct black and white t-shirt of Diagonal’s bassist at the bar and had to go say hi. It’s the first time I’ve talked to someone I’d consider a successfull prog rocker, and he had so much to say.  Among other things we talked about the size of the scene, how difficult it is to make money in, how they’re going about writing the new album, and all chilled out in this tiny venue in North London. Perfect!  Then once Wolf People had finished the set we got into a chat with the Drummer Tom and his cousin.

    RedSheep_and_the_bassist_from_Diagonal

    I highly recommend going to see Wolf People and Diagonal if you can.  Both bands are at a very exciting time where they’re developing and refining their sound to the level that anything could happen.  As well as some old time classics Diagonal have some monster new tracks in the works, and Wolf People are  riding the wave with the release of their new album.  Beyond that though, the gigs are still small enough that the sound is great, and you can meet the band very easily after the show.

    Good work Guys

    RedSheep